Julia Cameron calls them Artist Dates. Sarah Ban Breathnach calls them Creative Excursions. Whatever you call them, they’re worth making a regular event in your life.

“The Artist Date need not be overtly artistic,” says Cameron, “think mischief more than mastery. Artist Dates fire up the imagination. They spark whimsy. They encourage play. Since art is about the play of ideas, they feed our creative work by replenishing our inner well of images and inspiration.”

The purpose of such solo events is to take time away regularly to visit a new place, gather ideas, or just feed your soul. Although it’s easy to find new destinations, it’s equally easy to find excuses not to do so.

When people tell me they have no idea what they want to do with their life, I’m pretty certain that creative excursions have not been on their agenda.

With that in mind, here are a few idea starters to get you thinking about potential excursions of your own.

° Visit a Japanese garden or arboretum. You don’t have to be a gardner yourself in order to find pleasure in beautiful landscapes. For several years, I lived within walking distance of a Japanese garden and I visited it whenever I needed a lift.

° Spend time browsing at a flea market or community festival. Imagine yourself as a vendor. What kind of booth would you have? What catches your eye? What turns you off? How would you welcome visitors?

° Go to your public library and explore an area you don’t normally browse in. Read a couple of unfamiliar magazine while you’re there. See what resources are housed in the reference area.

° Explore the scrap booking aisles at a craft store. Consider starting a scrapbook of favorite cartoons so you’ll always know where to look when you need a laugh.

° Slip off to the movies on a midweek afternoon. It’s almost like having a private screening if you catch the first showing on Tuesday. You may also feel slightly decadent.

° Gather travel brochures and pictures of destinations still to be visited. Make a collage for your office.

° Make or buy a card of congratulations and send it to yourself. Then send another to someone in need of encouragement.

° Take a nature hike. Gather seashells if you’re near an ocean or wildflowers or weeds for a bouquet if there’s a woods nearby.

° Visit a hardware store and investigate gadgets you’ve never seen before. Imagine having a project to use one of these tools.

° If you haven’t visited a local museum or art gallery, it’s time you paid a call.

° A great junk store or antique mall is another perfect place to stroll. Talk to the folks working there and find out what kinds of treasures are popular.

° Pretend you’re an investigative reporter. Visit stores secretly making notes on their customer service—or lack thereof.

° Start a new collection and begin a treasure hunt. You could begin by finding all the treasures hidden in your own neighborhood. It’s not unusual for folks to overlook things in their own backyard that visitors come to see.

Julia Cameron calls them Artist’s Dates. Sarah Ban Breathnach calls them Creative Excursions. Whatever you call them, they are worth making a regular event in your life.

“The Artist Date need not be overtly artistic,” says Cameron, “think mischief more than mastery. Artist Dates fire up the imagination. They spark whimsy. They encourage play. Since art is about the play of ideas, they feed our creative work by replenishing our inner well of images and inspiration.”

The purpose of such solo events is to take time every week to make a visit to a new place to gather ideas or just feed your imagination. Although it’s easy to find new destinations, it’s equally easy to find excuses not to do so.

When people tell me they have no idea what they want to do with their life, I’m pretty certain that creative excursions have not been on their agenda.

With that in mind, here are a few idea starters to get you thinking about potential excursions of your own.

° Visit a Japanese garden or arboretum. You don’t have to be a gardner yourself in order to find pleasure in beautiful landscapes.

° Spend a couple of hours browsing at a flea market or community festival and imagine yourself as a vendor. What kind of booth would you have? How would you welcome visitors?

° Go to your public library and explore an area that you don’t normally browse in. Read a couple of unfamiliar magazines while you’re there. See what resources are housed in the reference section.

° Explore the scrap booking aisles at a craft store. Start a scrapbook of favorite cartoons so you’ll always know where to go when you need a laugh.

° Slip off to the movies on a midweek afternoon.

° Gather travel brochures and pictures of destinations still to be visited. Make a collage for your office.

° Make or buy a card of congratulations and send it to yourself. Then send another to someone in need of encouragement.

° Take a nature hike. Gather seashells, if you are near an ocean or wildflowers or weeds for a bouquet if there’s a woods nearby.

° Visit a place like Home Depot and investigate gadgets you’ve never seen before.

° If you haven’t visited your local museum or art gallery, it’s time you paid a call.

° A great junk store or antique mall is a perfect place to stroll.

° Pretend you’re an investigative reporter and visit stores secretly making notes on their customer service…or lack thereof.

° Start a new collection and begin a treasure hunt.

Get going and find all the treasures hidden in your own neighborhood.

And if you have a favorite creative excursion that’s not on this list, feel free to share it in the comment section below.

Julia Cameron calls them Artist’s Dates. Sarah Ban Breathnach calls them creative excursions. Whatever you call them, they are worth making a regular event in your life.

“The Artist Date need not be overtly artistic,” says Cameron, “think mischief more than mastery. Artist Dates fire up the imagination. They spark whimsy. They encourage play. Since art is about the play of ideas, they feed our creative work by replenishing our inner well of images and inspiration.”

The purpose of such solo events is to take time every week to make a visit to a new place to gather ideas or just feed your imagination. Although it’s easy to find new destinations, it’s equally easy to find excuses not to do so.

When people tell me they have no idea what they want to do with their life, I’m pretty certain that creative excursions have not been on their agenda.

With that in mind, here are a few idea starters to get you thinking about potential excursions of your own.

° Visit a Japanese garden or arboretum. You don’t have to be a gardner yourself in order to find pleasure in beautiful landscapes.

° Spend a couple of hours browsing at a flea market or community festival and imagine yourself as a vendor. What kind of booth would you have? How would you welcome visitors?

° Go to your public library and explore an area that you don’t normally browse in. Read a couple of unfamiliar magazines while you’re there. See what resources are housed in the reference section.

° Explore the scrap booking aisles at a craft store. Start a scrapbook of favorite cartoons so you’ll always know where to go when you need a laugh.

° Slip off to the movies on a midweek afternoon.

° Gather travel brochures and pictures of destinations still to be visited. Make a collage for your office.

° Make or buy a card of congratulations and send it to yourself. Send another to someone who could use a bit of encouragement.

° Take a nature hike. Gather seashells, if you are near an ocean or wildflowers or weeds for a bouquet if there’s a woods nearby.

° Visit a place like Home Depot and investigate gadgets you’ve never seen before.

° If you haven’t visited your local museum or art gallery, it’s time you paid a call.

° A great junk store or antique mall is a perfect place to stroll.

° Pretend you’re an investigative reporter and visit stores secretly making notes on their customer service…or lack thereof.

° Start a new collection and begin a treasure hunt.

Got a favorite creative excursion that’s not on this short list? Tell us where you like to take yourself.

You might expect a former poet laureate to specialize in melancholy—not to be as funny as a stand-up comedian, but Billy Collins is a funny man who writes poems that appeal even to those who proclaim they don’t like poetry. He may be the only poet whose appearances regularly fill auditoriums.

What Collins has done (wittingly or otherwise) is to employ a powerful marketing tool that for want of a better name I’ll call Just Show Up.

Actually, there is a little more to it than that; let’s call it  Just Show Up With Your Best Self in Tow. Letting people know the person behind your logo is the intention here.

One night when I was channel surfing and stumbled upon a program called Chihuly Over Venice. I knew nothing about Dale Chihuly and even less about how glass art is produced, but by the end of the program I was determined to see as much of his work in person as I possibly could.

Since then, I have made Chihuly pilgrimages to Tacoma, Seattle, Las Vegas, London, Madison, San Francisco and Minneapolis. He, too, makes frequent appearances on public television and at openings of showings of his art.

A born teacher, Chihuly also understands that creativity is creativity, wherever it shows up. He says, “A lot of creativity has to do with energy, confidence and focus. These are the elements for making creative things. It’s probably the same thing whether you’re making a movie, whether you’re an entrepreneur doing business, whether you’re an artist, or whether you’re a gardener or a cook. These are all the same qualities that it takes.”

Susan Harrow is a media coach and public relations specialist who tells aspiring authors, “The most important thing to a publisher is your presence. Good writing can be bought, but publishers want the truth of you connecting to people.”

I’m guessing that many are surprised to hear that an author’s presence gets such high marks, but I had two publishers make offers after attending one of my seminars in New York and determining that I was media ready.

If you understand how important this is, you’ll waste no time hiding out. In fact, you’ll look for ways to make it easy for people to find you.

“Somewhere someone is looking for exactly what you have to offer,” says Louise Hay. Our presence—showing up and being seen—is a marketing tool that should not be overlooked.

You’re a singular production and what you bring to your business will be uniquely and utterly yours alone. Knowing that will give you the added bonus of having more empathy and curiosity for other people.

Reveling in their uniqueness is how successful artists approach their art and how artistic entrepreneurs approach their business.

Or as Julia Cameron so eloquently reminds us, “ Since each of us is one-of-a-kind, the market, for all its supposed predictability, is actually vulnerable to falling in love with any of us at any time.”

But first you’ve got to show up.


Since each of us is one-of-a-kind, the market, for all its
supposed predictability, is actually vulnerable to
falling in love with any of us at any time.
Julia Cameron

It’s been a long time since I was in high school, but one thing hasn’t changed much: adolescents still want to be like everyone else. Teenagers dress alike, listen to the same music, love the same movies. Being different is a surefire way to become unpopular, the most dreaded horror of teen life.

While conformity is comforting in adolescence, it only serves a purpose in human development if it’s treated as a stopover in the journey. Unfortunately, many adults suffer from arrested development and spend years trying to conform.

Who’s going to notice a conformist?

On weekends when I have an out of town seminar, I often pick up a copy of People magazine at the airport. Even though the cover of the magazine usually features a celebrity, I find that the stories I enjoy the most are about people who aren’t famous, just fascinating.

One memorable issue included a section called Starting Over and featured six people who had made dramatic life changes. Four of the six of them became self-employed.

One of the others, a former chef in upscale restaurants in New York and Washington DC, reached the point where (in his own words) he’d, “Been there, sautéed that.” Wanting to do something more meaningful, he now cooks upscale cuisine in a soup kitchen.

The other person, Omar El Nasser, abandoned his cubicle in a windowless office in Buffalo and now works as a cowboy in Montana. When an ex-colleague saw a picture of Nasser on horseback, he hung it above his own desk and labeled the image, “Omar’s Cubicle.”

For all of these people, Starting Over was about putting themselves on The Road Less Traveled.

Then there’s Danny Meyer. In his late teens, Meyer spent a year and a half in Italy filling journals with notes on restaurants he visited there. Besides taking note of the food, he sketched light fixtures he liked, flooring that caught his fancy, and studied the ambiance of various establishments.

Today he owns popular restaurants in New York that include Union Square Cafe, Eleven Madison Park and Shake Shack, places that regularly top the Zagat survey. In addition, he’s revived a neighborhood near his businesses by spearheading such things as a year long outdoor produce market that serves the residents and restaurants around Union Square.

As a television piece pointed out, he’s created his own village within New York.

His passion and philosophy of making a difference right where he is makes him a standout.

If you want to stand out from the crowd you first have to leave the crowd. It’s a message philosophers have espoused for centuries, but only the most determined among us has paid attention. “

In this age,” wrote John Stuart Mill more than a century ago, “the mere example of nonconformity, the mere refusal to bend the knee to custom, is itself a service.”

While we can be inspired by the Danny Meyers of this world, we fail if we try to duplicate their path. It’s only when we can revel in our uniqueness that we start making the real contribution that is ours to make. Not only will that lead us to optimal joy, it might even bring the media to our door.

Imagine your story in People magazine (or some similar story-filled publication). What would you like the headline to say?

Excellent results are never accidental. Without commitment, our creative powers are scattered and our ability to attract support and resources dries up. Of course, it’s possible, as millions of people demonstrate, to go through life getting by without ever committing deeply to anything much at all. 

In their insightful book, Money Drunk, Money Sober, Julia Cameron and Mark Bryan call money (and money difficulties) the last addiction. They identify five kinds of money dysfunction, including one they call the Maintenance Money Drunk. This is a person who grows increasingly bitter or numb from the inability to pursue or even identify their dreams.

They write, “One of the telltale symptoms of the Maintenance Money Drunk is the phrase ‘I’m going to,’ heard over and over again without action toward the goal. We often say that the greatest gift of solvency is learning how to turn a wish into a goal. And action is the difference between someone who is really going to do something and someone who is just wishing.” They offer these familiar examples:

“I’m going to write a book.” So write one page a day.

“I’m going back to school.” So call the local college.

“I’m going to be an actor.” So take a monologue class.

It’s exhausting to be a Maintenance Money Drunk and it’s exhausting to be around one. Commitment is the catalyst that propels us to take action—and break the cycle of apathy that keeps us stuck.

I’ve written about this before, but it’s worth mentioning again because it’s an essential power tool for building dreams. There’s a foolproof test for commitment that goes beyond any verbal claims of commitment: look at your calendar and your checkbook. Are you spending your time and money in ways that back up what you’re truly committed to? It’s only when you bring your spending into alignment with your dreams that good things begin to happen.  

If commitment is an on-again off-again thing for you, or if you recoil from the notion altogether, I’d like to suggest you adopt an idea from the no-nonsense Barbara Sher. She asks her students to make “a temporary permanent commitment.” The brilliance of Sher’s idea is that she reminds us that making a commitment doesn’t mean we’re stuck forever with the things we’ve committed to. For many of us, that’s a huge relief. 

When we make a temporary permanent commitment, we give it our all for a limited period of time. I like the idea of dividing our dreams into 90 Day Projects where we focus on making progress in small, manageable ways day after day. During this time, immerse—don’t dabble. Treat it as a permanent commitment. At the end of the 90 days, take inventory. Want to keep going? Or have you had enough? If the answer is, “I’ve had enough,” then design projects for the next 90 days. And so on and so on and so on.

Commitment gives us direction, but it doesn’t guarantee ease. As Paulo Coehlo so eloquently reminds us, “Too often we decide to follow a path that is not really our own, one that others have set for us. We forget that whichever way we go, the price is the same: in both cases we will pass through both difficult and happy moments. But when we are living our dream, the difficulties that we encounter make sense.”

Time to Get Unstuck?

Three upcoming teleclasses can help you do just that. 

Need ideas? Join Alice Barry and me for Better than Brainstorming, Wednesday, February 18, 8-9:30 PM Eastern. 

Stopped by resistance? Learn techniques for dealing with it in Outsmarting Resistance, Monday, February 23, 8-9:30 PM Eastern.

Marketing scare you? You’re not alone. I Hate Marketing will show you some new approaches that make marketing fun. No kidding. Wednesday, February 25, 8-9:30 PM Eastern. 

Can’t attend in person? Register and you’ll receive an audio download.